LEAH KARDOS

Composer, producer, enthusiast

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From the Servant Jazz Quarters, Oct 23 2014

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Machines live show: 23rd October 2014

Laura and I will be performing all of Machines for the first time live, for one night only, in London on Oct 23.

The first wave of online ticket buyers will get an exclusive programme booklet that I have made myself. There will also be signed CDs available on the night to buy for £5. I have a feeling that it’s going to be a pretty darn special gig, please join us!

You can buy your tickets here:
http://www.wegottickets.com/event/290587

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Everybody, look at my dog

Isn’t he great?

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Interview: Leah Kardos speaks to James Black at St Pancras Old Church

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photo by Naresh Kaushal


Click the photo above (or the link below) to read a conversation I had with James Black about music and sound and what it might all mean...

http://www.chaostheorymusic.co.uk/blog/leah-kardos-interview/

Lucy Claire - June 19

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This is going to be a great night filled with beautiful music. The venue is intimate and tickets will sell out fast. Click the image for more info. x

Music and/as Process 2nd Annual Music and/as Process Conference

On the 1st of June, I will be presenting some of my work at the 2nd Annual Music and/as Process Conference at Canterbury Christ Church University.

The title of my talk is "Exploring The Temporalities of a Musical Idea", and it's all about a particular philosophy related to generating new ideas, sounds and variations linked to a single composition. If you can stomach it, the abstract is included below:

"Drawing from personally situated knowledge derived from creative practice research, I will illustrate some approaches to the generation of compositional materials bound to a creative philosophy centred around technology, economy and derivation. This philosophy broadens the view of authored materials to include not only the final performance of the music, but also draft and incomplete or unedited versions, inaccurate versions played by sight, adapted versions that are played in sections during rehearsal, unused recording takes and mistakes, incidental sounds from around performance, rehearsal and recording environments, even the sounds generated from travelling to and from the recording session - all of the music and sound resulting from situations, actions and incidents that occur as a direct result of the composition existing can be captured and potentially used to make more music. This approach maximises the amount of materials generated from a single musical composition, providing both an economical approach to theme and creation of a sound world, and a diverse, yet finite framework within which to explore possibilities and experiment. In terms of music production, it also functions as a device for the creation of original and authentic sound worlds for musical ideas to inhabit. This philosophy also acknowledges the collaborative nature of performance, and I will share examples from practice of experiments in human filtering, where intuitive responses from individuals form, inform and reform the creation of musical materials. The score is seen as the starting point of a creative process, the raw materials that are activated by people. In such cases the final recorded production offers a version of the work and a document of this process."


The whole conference schedule can be found
HERE.
Registrations/tickets can be ordered
HERE.

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New Appointment

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I'm really pleased and excited to announce that I will be joining the Faculty of Arts and Social Sciences at Kingston University as a Lecturer in Music, starting in September.

Can't wait to meet the students and get stuck in!








Jim Perkins & Leah Kardos play the Shhh Festival

I haven't performed my music since the Feather Hammer shows in 2012, so this is a bit of a big deal for me!

Bigo & Twigetti label-mate
Jim Perkins and I will be collaborating on a show that will include re-arrangements and new interpretations of our original work for live ensemble. Laura Wolk-Lewanowicz will be singing some of my songs from Machines as well as a few new things.

I'm excited! If you're in London that weekend come out and say hi!



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Memory Machine

I have three new tracks on Bigo & Twigetti's Spring 2014 sampler, dropping later this month. This one is basically made up of small bits from Machines.






Butterfly Kite

A little ditty to enjoy the warm air to (featuring George Hinchcliffe on ukes, myself on omnichord and a few uncredited birds).



B&T Winter Sampler and 'Name Your Price' Day

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May I draw your attention to this beautiful little compilation from Bigo & Twigetti. Click the artwork to go to the Bandcamp page, where you can stream the tracks. Listen to it while you watch the rain through the window.

If you like what you hear, you might be interested to know that the label is holding another "Name Your Price" day. It works just like it sounds, you can pay anything (even zero*) to download anything in the label's catalogue. Starting at 12.00am the 11th of February, for 24 hours you will be able to decide what you wish to pay for any and all of Bigo & Twigetti's releases on
Bandcamp. Set yourself a reminder to check it out, you could get a whole heap of brilliant music for a bargain.

*if you decide to pay 'zero' to download my stuff, can you promise me that you'll listen closely, all the way through at least once? thx

Finally, I feel like I need to share this great
review of Three Preludes by R. Andrew Lee, that has just been posted on I Care If You Listen. Obviously it means so much when a pianist you admire greatly praises the piano music you have created. BTW if you're a fan of piano music and minimalism you should drop what you're doing and check out his recordings, if you haven't already. I recommend it all, but especially Duckworth's Time Curve Preludes and Dennis Johnson's November.


Three Preludes EP - Out Now (updated)

If you're interested in listening, it is free to stream from Bandcamp and Spotify, and available to purchase from Bandcamp and iTunes and most other online music retailers.

A limited edition of 50 hand painted physical copies with artwork by Jim Perkins can be purchased
here. I've even written out the CD inlays myself...

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Constructed with the mistakes and accidents and little unintended thumpy squeaky piano sounds that occurred during recording of the Three Preludes.




The Three Preludes EP (18.11.13)

The Three Preludes were written for pianist Ben Dawson. Conceived first as a birthday present, and secondly as a small experiment in ‘people processes’, this EP focussed on music’s changing states: from score to performance to recording and beyond.

Working in the studio on my own compositions, everything is exactly how I intend it to be; when you press play you hear the very version I created for you to hear. But when somebody performs a score (essentially abstract system of symbols and instructions), it is different every time. That got me thinking about the value of performance situations: what would this score sound like if it was being read for the first time - where would the player trip? would they gloss over inaccuracies, cover up and continue or stop altogether? If he was going to rehearse a difficult passage, what speed would he choose and where would the passage start and end? What would it sound like through a wall as background noise to some other activity? Capturing these 'versions', and seeing accidents and anomalies as variations, I felt the pieces evolving into something else - something bigger than what I had started with.

I peppered the score with moments of vagueness and 'unplayable' bits designed to force the pianist to make a creative decision in the moment, and we recorded the first read through and initial rehearsals. The extra musical material created off the back of these preludes was used to inform the final recorded versions, and provided the all of the source audio for the three accompanying experimental pieces. 

The Three Preludes EP will be released by
Bigo & Twigetti on November 18th, 2013. There will be a limited physical release featuring hand painted artwork by Jim Perkins - I'll post more information about that soon.

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The Creativities of David Bowie

Very excited to be speaking about my absolute favourite artist at Cambridge next month. Open to anyone who wants to come, RSVP info is on the flyer.



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A month in photos



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WKU Visit

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In a few short weeks I'm off to visit the music department at Western Kentucky University. I was graciously invited by Dr. Michael Kallstrom, a composer/performer/artist and University Distinguished Professor of Music at WKU, to spend a week there with the pianists, composers and music education students to share my practice and explore some different (and hopefully interesting) approaches to creativity.

I'm hoping to use my time there to facilitate some interesting collaborative projects and get everyone thinking about the materials of music in a fresh way. Can't wait!

As part of the deal I'm flying in to Nashville 10 days earlier to spend some time soaking up the local culture. The plan is to hire a car and hit the road and explore: Memphis, Little Rock, Clarksdale, down the Mississippi Delta on Highway 61... I wonder if I'll meet the devil at the crossroads?



Fighters - Remixed




Machines reviewed by Echoes and Dust

What makes Machines instantly unique and captivating, is the soprano of Laura Wolk-Lewanowicz, an Australian opera singer. The angelic voice, teamed with the theme of the album, create a very touching commentary on the current human condition.



The lovely Madga Wrzeszcz has reviewed Machines for Echoes and Dust.
Click here to read more.